The summer of 1967 sealed the fate for the future of Toronto. The city was on the verge of a revolution that would see the community reclaim the urban landscape to create a Mecca for the bohemians to hang out and relax - free from the toxic exhaust fumes that had smothered the city.
It was the Summer of Love - the height of the hippie movement that pitted a new generation of youngsters against their World War II era fathers – and the city of Toronto was at a crossroads between turning downtown into a network of “thoroughfares” and reclamation of the streets by its citizens.
Toronto’s Haight Ashbury, its Greenwich Village was formed on an uptown street called Yorkville Ave. Hundreds and sometimes thousands of people congregated here – spilling off the sidewalk and the roadway.
Motorists drove through Yorkville Ave just to catch a glimpse of the “hippies” – or the zoo – as former mayor Allan Lamport put it.
27-year-old film director – the late Robin Spry followed the “hippies” in his film Flowers on a One-Way Street, in which he begins:
“Out in California, the search for a different way of life is helped by the physical environment. But here in Toronto, the hippie community revolves around a small overcrowded street called Yorkville Avenue”







